Added: Faigy Ovellette - Date: 13.04.2022 05:18 - Views: 22658 - Clicks: 5891
The second of the Star Wars spin-off films made for television in the wake of Return of the JediEwoks: The Battle for Endor finds Lucasfilm learning from past mistakes while still capitalizing on the family-friendly appeal of the Ewoks. While sharing many of the same characters, budgetary restrictions, and tonal imbalances of its predecessor, Caravan of CourageThe Battle for Endor nevertheless refines the approach to produce an engaging fantasy adventure that plays into the same fairytale conventions that the Original Trilogy, especially A New Hopebrought back into the popular discourse.
Her father, Jeremitt character actor Paul Gleason taking over for Guy Boydis nearing completion of repairs to the family cruiser and are about to leave the forest moon behind. Only Cindel is left alive and her and Wicket escape the Marauders and make their way into the forest and eventually to the home of the hermit, Noa Wilford Brimleyand his speedy, white-haired creature companion, Teek Niki Botelho. George Lucas has never been coy about borrowing from fairytales and classic adventure stories in crafting the Star Wars saga, and his approach to the story of The Battle for Endor is no different.
But to make Cindel the Heidi of Star WarsLucas had to eliminate her family and pair her with a cranky old man, Noa. This is because the element of choice allows the viewer to grow closer to the chosen family members as the character does, aligning the viewer with the character. In contrast to a narrative where family Ewok battle for endor are already established, the expository relationship facilitates an emotional attachment to the characters that is harder to establish with child actors and with poor performances and poorly-developed family members, as in Caravan of Courage.
The Battle for Endor goes even further than A New Hope in echoing The Wizard of Ozwith deliberate reference points and an entire climactic sequence that seems to copy the older film, beat for beat. Not only is Cindel clearly a Dorothy character, but she is captured by Marauders about two-thirds of the way through the film much as Dorothy is captured by the Flying Monkeys.
Wicket, Noa, and Teek infiltrate the castle, disguise themselves in one costume which is an absurd imageand break into the dungeons to free Cindel. In The Wizard of Ozit turns out Ewok battle for endor Dorothy had the ruby slippers the whole time, with the ability to return home whenever she wanted. While Caravan of Courage drew on Journey to the West and other fantasy adventures, it also tried to wed those elements to Star Wars worldbuilding and unconvincing science-fiction family storytelling, like something out of a mediocre episode of Star Trek.
The filmmaking is also more confident this time around. As in that film, production deer Joe Johnston and the special effects team use matte paintings, California locations, and tinted frames to conjure the fantastic world of Endor. Again there are stop-motion monsters that move in herky-jerky motions, since the budget was too low to accommodate the more sophisticated GoMotion animation system that Lucasfilm had developed.
But there are moments of visual wit and competent action construction. The opening Marauder raid on the Ewok village is more impressive than any battle in Caravan of Courage. It helps that Terak and the Marauders are more tangible villains than the Gorax.
They rely on costumes and actual performances instead of outdated stop-motion. The Battle of Endor also does what Disney has learned to do with their sequels and spinoffs: repeat best practices from the Original Trilogy. Beyond the Endor setting, this tactic becomes most obvious when Wicket and Cindel escape the Marauders and are attacked by a giant pterodactyl-like beast in a cave. We get Wicket brandishing a bone like Luke Skywalker does, an over-the-shoulder shot of the monster advancing on Wicket, and rocks and skulls tossed in defense.
As the film progresses, the repetitions continue to stack up. We even get a repeated surprise attack with Ewoks brandishing spears and bows, cheering as they throw rocks and shoot arrows at their enemies.
Another moment in the battle has Noa furiously working to fix his star cruiser like Han Solo working on the Millennium Falcon in the asteroid field in The Empire Strikes Back. One of the greatest weaknesses of Caravan of Courage is that it has no steadying presence in terms of human performances.
Thus, the film defaults to having Mace be the normalizing presence for the viewer, the person who we experience the story through.
In contrast, Brimley is a strong performer with an affable affect that registers strongly with both children and adults. The whole point of these Ewok films is to spin out the success of Return of the Jedi in the absence of true sequels; they were meant to keep children engaged with the Star Wars brand and to capitalize on the popularity of the Ewoks. It shows that even as far back asthe Star Wars franchise was a tale of recursion, reflecting back on itself even as it sought to broaden its world. Facebook 0 Twitter Reddit 0 Likes.Ewok battle for endor
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